Read before writing.
Tempo, key, meter, form, tracks, clips, devices, and current playback become a shared working model.
The creative assistant for your real studio—sound and picture
Your ideas. Your sounds. Your frames—moving at conversation speed.
MaestroGnome understands the open session, plans before it writes, and drives connected tools through MCP—your DAW, your grade, your edit. You keep control while bandmates, clients, and invited listeners point to the exact moment—bar or frame—that matters.
Your session stays authoritative · Changes are planned before execution · Clients need only a browser · Talkback companion on iOS and Android
- Real sounds and pluginsWork with the studio you already built.
- App-neutral coreAbleton, Blender, and Resolve adapters, each verified on its own terms.
- Feedback with musical contextSong, version, time, bar, section, and picture stay linked.
Your studioYour decisionsTheir feedbackOne master clock
Not a replacement producer
A fast pair of hands that already knows the session.
Ask for the missing counter-line, a cleaner transition, a different voicing, or an honest read of the musical DNA. Maestro inspects first, proposes a bounded plan, and acts through the tools your studio exposes.
Show the move first.
See what will change, where it will land, and which parts of the session remain untouched.
Use the real tools.
Connected MCP tools bridge the missing capabilities while your DAW, instruments, and plugins remain the source of truth.
Idea → session → people → session
Keep creative momentum without giving up authorship.
The assistant and review platform share one model of the work. An idea becomes a controlled session operation, and human feedback returns to the right version and the right musical—or visual—location.
Speak in creative intent.
Ask from the current bar and section—no menus, coordinates, or repetitive setup.
Move fast with a visible boundary.
Notes, routing, affected tracks, and the undo path are visible before the session changes.
Everyone points to the same moment.
Picture, waveform, sections, and comments follow one playhead in a private browser link.
The same assistant, now behind the picture
Music and picture, finished on one clock.
Maestro reads the footage before it touches a frame—white balance, exposure, scene cuts, dead air—then grades in Blender with ASC-CDL math and an approved look, and cuts and composites in DaVinci Resolve. Every render lands in the same review your collaborators already use.
Original
Graded
Original
Graded
Measured, not guessed
A real client session, graded unattended.
A DJ set shot across club light and street daylight. Maestro sampled the frames, corrected white balance and exposure with ASC-CDL math, applied one approved cinema look from a library of 53, and rendered the trimmed content only—no manual grading between the two sides.
- Read before renderingFrame statistics, scenes, transcripts, and silence become a shared model first.
- Cut with evidenceDead-air tightening and selects land in a new variant timeline; the original is never touched.
- QC before it shipsLoudness, true peak, codec, and frame-exact conform—checked before the client sees it.
Music is social before it is final
Built for the people around the song—not just the person at the keyboard.
Each collaborator gets the surface they need. The producer keeps session control; everyone else gets enough musical and visual context to give useful feedback quickly.
P
Producer or composer
Inspect, audition, plan, execute, compare versions, and decide what actually reaches the session.
B
Bandmates and arrangers
Discuss the intro, bridge, build, voicing, orchestration, or groove using shared sections, bars, and playback.
C
Clients and directors
Watch picture, hear the score, and leave durable timestamped notes without installing production software.
A
Invited audience
React at exact moments and help shape a work in progress without receiving access to the underlying session.
A real arrangement, not a generic waveform
See the musical structure behind the timestamp.
The review page carries a faithful arrangement minimap, track names, section labels, tempo, key, time signature, synchronized picture, and a SoundCloud-style comment rail. A timestamp is also a bar, beat, section, and frame.
Open the working review →
Feedback that comes home
Return the conversation to the correct song and version.
Every note retains its project UUID, review UUID, author, media time, beat, bar, and synchronization state. Approved comments can become arrangement markers without losing the conversation that created them.
Straight answers for the private beta
What musicians and collaborators need to know.
The architecture is broad; adapter support is verified one DAW and workflow at a time.
Does MaestroGnome replace the producer or the DAW?
No. The DAW remains the source of truth and the person remains the decision-maker. Maestro accelerates inspection, planning, repetitive execution, and collaboration around that work.
Can it use my real sounds, instruments, and plugins?
Yes where the connected DAW adapter exposes those operations. Maestro works through your existing session and tools rather than substituting a generic music generator.
Does it work with every DAW?
The core is DAW-neutral. Ableton Live, Logic Pro, and every other host expose different automation surfaces, so adapters are tested and labeled individually instead of claiming false universal parity.
What can a bandmate or arranger do?
They can hear the correct version, navigate named musical sections, inspect the arrangement map, and discuss changes at exact timestamps, bars, and beats. Session-writing access remains controlled by the producer.
Does a client or listener need to install anything?
No. They open a private browser review, play the score with synchronized picture, jump by section, and leave timestamped comments.
Is there a mobile app?
Yes. The Talkback companion ships for both iOS and Android. Speak or type a request, review the plan's read-only checks, approve or reject it, watch the job run, and receive bounced mixes and graded renders—delivered to your phone through the same trail.
Do comments stay with the correct song and version?
Yes. Reviews and comments are stored with durable project and review UUIDs. Each note retains its exact media time, musical beat, bar, author, and synchronization status.
Can collaborators sign in with Google?
Google identity is supported for beta accounts. Optional Drive or Calendar connections will require separate, explicit consent; Maestro will not request blanket Gmail or Drive access.
Can it review a score against video?
Yes. The reference picture and score use the same browser media clock, so a timestamped note identifies both the musical moment and the visual frame.
Can it grade and edit the video itself?
Yes. Blender handles measured color—ASC-CDL white balance and exposure plus an approved look—and DaVinci Resolve handles cutting, Fusion compositing, and delivery checks. Edits land in new variant timelines; your originals are never touched.
Private beta
Bring the whole path from first idea to final approval onto one musical clock.
Tell us your DAW, collaborators, and current review workflow. We will match access to an integration that can be verified in your studio.